Story
Finally, Handagama has broken ice. It was the second welcoming news of this year, relating to Sri Lankan cinema, after the news that Chinta and Udaya managed to arrange a premiere of their debut How I Wonder What You Are. The invitation stated Asoka Handagama is back with a difference. The difference was too hard to predict, given that Handagama was/is a relentless rebelpar excellence, surviving in the alternative wave he established. Having directed five features, he could screen only two locally, while the rest were censored and/or forbidden. After the aborted mission with Aksharaya (Letters of Fire), Handagamas dominant silence gave a warning that Sri Lanka was not a space for free expression. In this context, the impending difference seemed an anaesthetic to the cankering deadliness of the present cinema at home.
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